I am alive . . .

Just in case I do have any readers, I am alive and doing well. I have not died of boredom from reading the first few Newbery winners.

I recently became a father for the first time so naturally, all sorts of priorities are being juggled and rearranged. I'm nearly done with book three THE DARK FRIGATE and will comment on it sometime in the near future!

Although I will say, my stack of newer books to read are piling up, and I'm getting restless devoting my small window of reading time to older, boring Newbery winners. But, I want to do this so do this I shall!

Soon, I'll get back into the swing of things. For now, fatherly duties are calling!

1923: The Voyages of Doctor Doolittle

My first thought upon completing book #2 of my journey, THE VOYAGES OF DOCTOR DOOLITTLE by Hugh Lofting (Newbery Medal winner from 1923), was 'Whoa . . . there must not have been much competition in the 20s'. Doctor Doolittle has a knack for picking up languages, and he's mastered the skill of speaking to animals. Don't get me wrong, Hugh Lofting has created a memorable, original, polite character in Doctor Doolittle, one that is able to stand the test of time (Eddie Murphy, Ace Ventura anyone). It's really quite the creative concept, especially in 1923! But this particular story has sooooo much going on. The many detours make it hard to follow and much of this story could have been trimmed down quite a bit (Where were all the editors in 1923?). It could've made for a much more enjoyable, and bearable read!

For example: Part II of the book kicks off introducing readers to Luke the Hermit. Tommy (our narrator) and the Doctor are recruiting some helping hands for the voyage they are about to embark on. Luke is their top choice. We're given a back story, we're given a mystery, and we're given some suspense. The Doctor helps clear Luke's name in a trial of sorts by talking to animal witnesses (Luke had previously been accused of murder). At the end of Part II, once Luke's name has been cleared and the good Doctor has saved the day, Luke declines the invitation to join them on their voyage. What?! Seriously?! What is the point in introducing us to a character like Luke, only to dump them by the wayside? The story of Luke the Hermit felt like a complete waste of time. Sure, he pops up a short while later as a stowaway, changing his mind about the voyage, but even the Doctor is annoyed and quickly disposes of him. We never hear from him again.

It takes nearly half of the story to pass by before the Doctor and his sidekicks finally set sail and the first place they stop is Spain. Spain was not in on itinerary, but they needed to get rid of some stowaways. While in Spain, the Doctor is lured off task by the possibility of ending the cruel sport of bullfighting once and for all. He hustles the Spaniards and steps into the ring as a matador turning the bulls on the fighters and angering the crowd in the process. The Doctor and his crew are run out of town and again, I was left scratching my head. Did Hugh Lofting think all these sidebars were fun? The book and all it's adventures reminded me of a bedtime story that your Grandpa tells you after you're tucked in and ready for sleep. Except the story is making less and less sense because Grandpa is making it up as he goes but you continue to listen and fight off sleep because Grandpa's a funny guy and even a little crazy in his own way!

Another annoyance with this book is the excessive politeness displayed amongst its characters. Now I'm a teacher. I'm all for "please" and "thank you". I'm all for politeness. But the politeness found in this book is on a whole other level! It's distracting! "May I please share an idea with you Doctor?" asks Tommy. "Why certainly my dear boy," responds the Doc. "I think you are the best Doctor in the world," states Tommy. "Well thank you for sharing that pleasant thought," thanks the Doctor. "Thank you so much for letting me share it," coos Tommy. "You are so very welcome," says the Doc. Imagine 300+ pages of conversation exactly like that . . . Argh! And what kind of parents agree to let their ten-year old move out of the house and live with the crazy, polite, old doctor down the block who happens to talk to animals? And then agree to letting that child set sail across the globe with that Doctor? Come on! I know this is a fantasy story but seriously . . .

After THE STORY OF MANKIND, I was really looking forward to this book, but I almost found it more unbearable than that first one. There is some good stuff . . . the mystery of Long Arrow's disappearance and the mystery of the shellfish language keep you engaged, despite the fact that they are never really solved (or even "mysteries" to begin with). There's a good message buried in these pages about doing work you love, not just work that pays good. And the writing at times is top notch. I love Tommy's description of the ship: "This ship, which was to be our house and our street, our home and our garden, for so many days to come, seemed so tiny in all this wide water - so tiny and yet so snug, sufficient, and safe." But in the end, this book is a snoozer.

I even tried to get my cat Elliot to read it, thinking the good Doctor could "speak" to her. But all she did was sniff it.